The Final Fantasy series will always have a soft spot in my heart, being the main series of computer games that saw through my teenage years. Each one tells a separate story set in an unrelated universe, with the only themes binding them together the fact it is a role playing game (where you develop your own characters and select your attacks in battle, rather than having direct control of them) and some sort of fantasy elements. Or in the last few, science fiction elements. The one other irony regarding the title is the original “Final Fantasy” was so called because in the late 80s, the company behind them were losing so much money in video games they decided “Final Fantasy” would be it.
The series hit its peak with FFVII (Final Fantasy VII); the series’ first proper foray into the science fiction world, and also the first 3-D game of the series. It was released on the Playstation and was one of the biggest selling games for the console.
The problem for me is Final Fantasy X was when I first developed the serious depressive symptoms of my bipolar, and I never enjoyed the game, even though I wanted to so badly. I finished the game with this sense that I’d just wasted so many hours of my life. But it’s not because it was particularly bad (although the voice acting was terrible); it was because my subconscious had decided to ambush my enjoyment of the game for no real reason other than to see me suffer. I had similar problems with each subsequent game.
So fast-forward to now, and here is Final Fantasy XIII; a game I thought would bring me back to the old days and loving the series again. In fact, I think everyone was thinking the same; as the game’s director was the same one that worked on Final Fantasy VII.
And here I introduce the big problem of this game: not only was I trying my hardest to enjoy it, but this game was obviously trying its hardest to be enjoyed. From a character heralded as the female version of FFVII’s main character Cloud (hell, even her name was fairly similar, being Lightning and all…) to stupidly detailed cut-scenes (that really give away how bad most of the graphics actually are in the game), this is a game that wants to be loved so badly. OK, I lie; it’s a game that wants to make Square Enix money.
The in-game graphics really are quite horrible for at least the first half of the game, where they look no better then the previous FFXII’s environments. It’s not just the graphics are bad, but the environments seem carelessly designed. For example, in one part Sazh (one of the few decent characters I will come back to later on) and Vanille (a horribly “australian” voiced character who, thankfully, I will not come back to again) are travelling through a forest. This forest just looks like any bog-standard, generic one you would see in any other game. But it looks boring, too. It’s not until you get in the last third of gameplay that we begin to see some of the wow-factor and huge environments a Final Fantasy game should be. And I don’t want to sound like a graphics whore, but when compared to in-game graphics of a game like Uncharted, you begin to feel the frustration that Square could have actually created something arguably just as good as in the already mentioned amazing cut-scenes.
Well, amazing definitely described the look of the cut-scenes. Their editing and direction leaves much to be desired.
Maybe I’m coming at it as I have done video-editing, but you get the feeling they let a child or something mess about with the footage before the game was released. Horrible, sweeping camera angles I’d associate with lesser games unfamiliar with cinematography are used to death. Scenes and lines cut-short, along with music that rarely properly reflects the atmosphere or what’s happening on screen. The voice acting is terrible. But the worst thing is the writing. Whoever wrote the English script should find a whole to crawl into before I find them, as it was extremely disappointing. Forget decent characterisation or trying to tie and emotional bond with the gamer. No, it’s just full of bad cliches and a horrible narrative.
Which leads to the biggest problem. I really don’t care what happens to just about all the characters. Rather than take a primary character who we see develop, with well developed supportive roles, we see a narrative that tries to make all the characters have a more or less equal role. Which simply doesn’t work; by the time we start to develop some sort of feeling for the characters, it swaps to the other half of the team for a few hours.
There is one exception to the rule: Sazh. In my opinion, he has the best character, voice actor, and role in the game. He’s an older guy who has been thrown into this mess because he wants to save his toddler son. He is also really likeable, compared to the rest of the gang of freaks.
But I think the ageism in the game says it all: in his mid-thirties, he’s an “old man”. All the other characters are younger, (apparently) sexier, and just as fake and one-dimensional as the probable target audience of the product. He ends up taking a back-seater by the middle of the story, being used from then on as someone to give the odd annoying one-liner. The annoying thing is this is meant to be a role-playing game. But the dialogue is so awful you can’t ever fit into a role.
There is also no exploration whatsoever, at least until the final chapters in a section full of side-quests which seems more like it has been bolted on to please hardcore fans. And this is one of the few parts that looks amazing; it is so huge. There is no “world-map” you can explore, and most of the game you are getting from a-to-b. Not even any “exploration” exists, as your map in the top-right corner makes it pretty obvious that the very rare off-shoot of the path probably hides some treasure. There’s no sense of “home” throughout, and no more towns you can explore or find useful things out from the townsfolk. In the few sections you can converse with people, they repeat the same thing over and over.
Finally (and arguably the flagship of any RPG) is the battle system. And in all fairness, at the beginning you think it is really well done. You control one character by selecting their attacks/defence in battle, and can select the “stance” (or paradigm, as this game decides to call them) the other two people in your team have. i.e. whether you want them to keep healing, keep using magic attacks or physical attacks etc.It all starts off well, but very quickly you see it’s limitations. It all feels too on-rails, like the rest of the game. They’ve even provided an “auto-battle” mode so you don’t even have to control your main man/woman!! And more usually than not the other two party members act in a way you never would if you were actually controlling them. Indeed, I doubt any sane man would act that way either.
They made one massive, massive mistake with the battle system though: if the party leader gets knocked out, it’s game over. Why the hell did they decide that? Do your other party members, who are quite happy to use revive magic to any one else on the team, suddenly forget how to heal you? There isn’t even any logic for this decision in terms of the battle system as a whole. It seems just a lazy decision on Square’s part to make the game a bit harder.
So overall, I was very unimpressed with the game. It is trying too hard to make money and look all glitzy and great, but you can’t base the soul of a good game or storyline on making money. You don’t feel the passion they put into their games anymore… it seemed to all disappear after the 10th instalment of the series (which compared to this really wasn’t that bad). If they wanted a guaranteed cash-cow that I would buy and actually enjoy, they should have re-made Final Fantasy VII like everyone begged them to.
Interestingly, the related game/tie-in/sequal Final Fantasy Versus 13 really doesn’t look that bad. In fact it looks a lot darker, like in FFVII. And it has a world map to explore. Seeing as they seemed to lose their way after getting rid of a world you travel around, maybe it’s a sign they’ll go back to their roots. Maybe.
Bear Rating: 6/10